They are real-life symbols of freedom and independence that surround us, and remind us of our heritage on this planet. Our existence and future on earth is reflected in the fate and survival of animals.
Many of the monoprint images are part of a series printed on 30" X 22" Rives BFK printmaking stock. High-quality reproductions known as giclees are available for much of my artwork. Contact me for more information.
The wolf was in the background when it came off of the press. The wolf image was then drawn registered on it, and finished with colored pencils.
The daytime image of the wolf was reversed and printed on a dark background for a night effect. It was finished in white, grays, reds and silver.
This series of two monoprints emphasize the carapace of a turtle. The background in this version places it in a watery environment.
Two of my series of three monoprints of a deer place the image in different environments. This one has a nocturnal feel that something is nearby.
This work combines a collagraph of a tree (inspired by the work of Thomas Hart Benton) with the monoprint image of the deer.
This turtle's palette, in tones of red and blue, is the second monoprint using this image. The finishing work with colored pencils enhances the colors.
I experience both a challenge and an exhilaration when drawing the intricate patterns in a bird's wings. The colors and layers of these amazing structures of flight produce wonderful splashes of excitement in the air.
Many of the monoprint images are part of a series printed on 30" X 22" Rives BFK printmaking stock. High-quality reproductions known as giclees are available for much of my artwork. Contact me for more information.
This bald eagle is a "one off" piece of art that was created by drawing the feathers on individual sections of black art paper glued on a collagraph.
These sandhill cranes are one of a series of six crane prints. The dancing crane images were printed on various collagraph backgrounds.
This African gray crowned crane was printed on a colorful background, then shaded with a black marker and colored pencils to create the contrast.
In American folklore, a cardinal is considered a visitor from heaven. The wing pattern of a bird in flight, normally blurred, is compelling.
A collagraph of a tree was pressed on a background. The heron, lakescape, and vegetation were drawn with ink and colored pencils.
The reverse image of the collagraph tree was printed on a textured background. Ink and colored pencils were used to add the humming bird.
My wife is from England, so this English robin fledgling was our Christmas card several years ago. It makes my customers smile.
This eastern bluebird fledgling is ready to face the world with its bird call, a characteristic "tru-da-lee." this monoprint is one of four in the series.
Different objects and textures in the background were perfect spots for this "one off" print of four of America's favorite birds.
This white snowy owl flying in front of a full moon forms the perfect night scene for this monoprint, one of two in the series. The grays in the wings are colored pencils.
Twice a year, endangered whooping cranes migrate between Wisconsin and Florida, and Texas and Alberta. Two monoprints are in this series.
Blue jays and cardinals have very different significance in Native American lore. The blue jay is known as a trickster who noisily gathers objects and flies away.
The cardinal is the second monoprint in this series. It symbolizes harmony to Native Americans and is the complementary piece to the blue jay.
These monoprints have collagraphs for backgrounds, and are two in a series of five works of featuring bird profiles and birds in flight. This harpy eagle is the largest eagle in the world.
This second monoprint in the series is of a barn owl and is set in a rural landscape. Other birds in this series are the bald eagle, the osprey and the raven.
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